By Deborah Blum, Mary Knudson, Robin Marantz Henig
The simplest advisor for educating and studying powerful technological know-how writing, this moment version of A box advisor for technological know-how Writers improves at the vintage first version with a much wider diversity of themes, a brand new slate of writers, and an up to date exploration of the main stimulating and tough concerns in technological know-how. during this number of essays, nationally recognized technology writers Deborah Blum, Mary Knudson, and Robin Marantz Henig gather the easiest technology writers operating this day to provide an explanation for what they do and the way to do it well.
Field advisor combines specific and sensible how-to suggestion with considerate discussions of the demanding situations of technological know-how journalism within the twenty first century. It doesn't shrink back from addressing such arguable issues as cloning, stem telephone study, eugenics, clinical overtreatment, and questions of medical honesty. providing a finished evaluation of the sphere of technological know-how writing, this ebook discusses a huge variety of media and assets, from newspapers to broadcast journalism and from businesses to executive companies. It additionally offers an in depth research of a few of the most well liked fields in technological know-how writing - starting from psychological wellbeing and fitness to human genetics - and covers a various array of writing kinds, from "gee-whiz" to investigative.
With greater than forty five esteemed individuals - those that paintings for such prime information shops as clinical American, well known technology, observe, Smithsonian, the hot York occasions, and The Wall road magazine - this booklet is a useful source for present and aspiring technology writers, scholars and teachers in technology writing and journalism, and scientists who're drawn to technological know-how verbal exchange.
Read or Download A Field Guide for Science Writers: The Official Guide of the National Association of Science Writers (2nd Edition) PDF
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Extra resources for A Field Guide for Science Writers: The Official Guide of the National Association of Science Writers (2nd Edition)
It’s all jazz—the same style—but they’re all different voices. In science writing, style and voice mean we could assign the same topic to Natalie Angier, Oliver Sacks, John McPhee, Diane Ackerman, Edward O. Wilson, David Quammen, and Annie Dillard, and the results could be as different as hearing that high C “land of the freeeeee” from Eminem and then from Billie Holiday. For writers, style and voice ﬂow from straightforward elements such as rhythm, punctuation, verb tense, word choice, sentence construction, adjectives and adverbs, and lack of adjectives and adverbs, as well as larger artistic mysteries of attitude, tone, structure, topic, and perception.
This writer will write the story that is worth the readers’ time. ruth levy guyer ■ ■ ■ Set a pace. Once you’ve drawn readers in, you want them to be able to read quickly through your story. If you can read a story quickly, it means the story was well written. A well-written story has a good pace—at times leisurely, describing scenes, building anticipation; at times quickened, revealing action, terse dialogue. The pace of the story is what will keep your readers reading to the end. If you don’t set a pace and sustain it through the last graph, you won’t have very many readers reading that last graph.
But to be credible, polls must pass scientiﬁc analysis. The people interviewed must be a random sample of the population whose views we want to learn about (for instance, registered voters in the Midwest, or teenage smokers). Caution: TV talk shows often ask people to phone in their poll answers. But only the show’s viewers will know to call, and only those with strong views are likely to call. That’s not a random sample, and it’s not a scientiﬁc poll. The more people interviewed in a poll, the smaller the margin of sampling error.