By Jussi Parikka
Media background is thousands, even billions, of years previous. that's the premise of this pioneering and provocative e-book, which argues that to competently comprehend modern media tradition we needs to set out from fabric realities that precede media themselves—Earth’s historical past, geological formations, minerals, and effort. And to take action, writes Jussi Parikka, is to confront the profound environmental and social implications of this ubiquitous, yet not often ephemeral, realm of modern day life.
Exploring the source depletion and fabric resourcing required for us to take advantage of our units to reside networked lives, Parikka grounds his research in Siegfried Zielinski’s greatly mentioned proposal of deep time—but takes it again millennia. not just are infrequent earth minerals and lots of different fabrics had to make our electronic media machines paintings, he observes, yet used and out of date media applied sciences go back to the earth as residue of electronic tradition, contributing to transforming into layers of poisonous waste for destiny archaeologists to give some thought to. He indicates that those fabrics has to be thought of along the customarily harmful and exploitative exertions methods that refine them into the units underlying our probably digital or immaterial practices.
A Geology of Media demonstrates that the surroundings doesn't simply encompass our media cultural world—it runs via it, permits it, and hosts it in an period of extraordinary weather switch. whereas having a look backward to Earth’s far away prior, it additionally seems ahead to a extra expansive media theory—and, implicitly, media activism—to come.
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Extra info for A Geology of Media
It is offered as a counterexample to the hylomorphic models where matter is expected to be inert and the form animat ing it immaterial. indd 22 28/01/2015 12:46:16 PM Materiality 23 nomad science that contrasts with the form-seeking Royal Science that extracts constants and categories from its observations. The metallurgist is a figure of someone who “follows the flow of matter”70 and invests in giving a reality to the variations and potentials in the object. ”72 This stance should not be confused with a practice–theory division.
Indd 28 28/01/2015 12:46:16 PM 2 AN ALTERNATIVE DEEP TIME OF THE MEDIA They penetrated to the bowels of earth and dug up wealth, bad cause of all our ills. —OVID, METAMORPHOSES The Submerged Cloud The debates about the Anthropocene and electronic waste underline a necessity to engage with the geophysical stakes of media cultural infrastructure. Much of recent years’ focus has been on the cloud and its promise of disappearance of hardware and the immaterial embeddedness in data. 1 The issue of the cloud extends to software cultures and their disappearance into a branch of the service industries;2 it brandishes the importance of the hardware in new ways but seems to be limited to being the vessel of the service in attractive mobile forms, such as the investment in different sorts of tablets and smartphones evinces; it attracts the circulation of discourses of movement and immateriality, of the imaginary and dreams that fulfill the necessary gaps in the actual user experience when encountering a lack of wireless signal or some other physical disturbance.
The Anthrobscene The Anthropocene is one of the leading concepts that brought a geological awareness to climate change discussions of the past years and decades. Suggested by the Nobel Prize–winning chemist Paul J. Crutzen more than ten years ago45 and preceded more informally by Eugene Stoermer in the 1980s, the term is a sort of placeholder for the contemporary moment that stretches from the 1700s or the 1800s to the current time. It performs this cartography from a geological perspective, which argues for a sort of a holistic but analytical view to the changes in our life world.