Download Adobe Photoshop CS2 Photographers Guide by David D. Busch PDF

By David D. Busch

Images and Photoshop move hand in hand. if you happen to believe there's not adequate images within the standard Photoshop publication, and there's not sufficient Photoshop within the usual images ebook, then the publication you are looking for is true on your fingers. This full-color ebook is full of potent examples, uncomplicated to persist with suggestions, and tips that function a jumping-off aspect to spark your individual creativity into motion. study Photoshop from a photographer's standpoint as you disguise either conventional and modern photographic concepts, and find out how to reproduce or improve them in Photoshop.

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16 Choose your settings in the Radial Blur dialog box. 7. Click on OK to apply the zoom. 17. 8. Use the Edit > Fade control (or press Shift + Ctrl/Command + F) to reduce the amount of zoomblur and restore some of the original image. That makes the blur effect less overwhelming, and makes your original image a bit more recognizable. 18. 9. Be a little creative if you like. 15. Then, I used an eraser with a large, soft brush to selectively erase part of the blurry layer, creating an image that is sharp in the center, and becomes dramatically zoomed everywhere else.

Other than the zooms, I don’t use any of these very often. I use even fewer lens add-ons with my digital point-and-shoot cameras, relying on my favorite electronic viewfinder (EVF)-equipped camera’s unadorned built-in lens 28mm to 200mm (35mm equivalent) for 95 percent of my shots. The situation is a little different with my digital SLR, of course, as I’ve succumbed to the Lens Lust disease in a big way, and own four zoom lenses that cover the 35mm equivalent range from 18mm to 750mm, plus a 105mm macro close-up lens.

24 The Unsharp Mask dialog box allows you to dial in the amount of sharpness you want. Chapter 2 ■ Camera and Lens Effects in Photoshop 33 UNSHARP MASKING Unsharp masking is derived from a conventional photographic technique, and, despite its name, is used to sharpen images. The technique was first applied to images made on 4 × 5 and larger sheet film. In the darkroom, a film positive is made from the original film negative, a sort of reversed negative in which all the parts of the image that were originally black are black, and all the parts that were white are white.

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