By Maurice Hamilton
Fantastic artwork caliber, black-and-white prints are inside each photographer's succeed in with the concepts illustrated during this electronic snapshot enhancing advisor. benefiting from the keep watch over and reproducibility that the electronic darkroom deals, this guide teaches photographers tips to fine-tune photos with distinction and publicity degrees, crop and rotate photographs for dynamic effects, and take away flaws similar to airborne dirt and dust and scratches lengthy after the photo has been taken. guide on suggestions that simulate conventional hand coloring and tinting and upload lighting tricks akin to frames, infrared, and lighting fixtures and lens results is helping photographers observe their inventive imaginative and prescient. monitor photographs and photographs advisor readers during the offered options, permitting photographers to gauge their very own effects and count on the results of the defined corrections and improvements all alone photos. A gallery of the author's paintings presents idea for simulating—and enhancing upon—the chemical-based darkroom event.
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Even finer control can be achieved by modifying the settings in a Levels blending mode layer or the shape of the curve in a Curves blending mode layer. CORRECT THE COLOR Now that the tonality of the image has been adjusted, the next step for color images is to optimize the colors. This is true even when the goal is a black-and-white print. Adjustments that enhance differences between colors may yield better separation of tones in the black-and-white image. In addition, it is more efficient to incorporate tonal and color adjustments into the workflow before committing the image to black-and-white if there is a chance that a color print may be desired in the future.
The range of colors targeted by the Magic Wand is determined by the Tolerance setting, which varies from 0 to 255. Low values limit the colors selected to those similar to the color clicked. Higher values include pixels with a greater color range. To limit the selection to adjacent areas using the same colors, select Contiguous. Check the Use All Layers box to select colors using data from all visible layers, not only the active layer. Before sampling with the Magic Wand, select the Eyedropper tool (I, Shift+I) to set the sample size used by the Magic Wand.
LAYERS PALETTE, CHANNEL MIXER. A Channel Mixer adjustment layer has been added above the background image. FIGURE 4-14. CHANNEL MIXER. Selecting Monochrome converts the image to black and white with default settings that derive FIGURE 4-16. PRAYER FLAGS, CHANNEL MIXER. Applying values of Red +80%, Green +20%, input only from the red channel. and Blue 0% with Constant +5% yielded this grayscale image. CONVERTING A COLOR IMAGE TO BLACK AND WHITE 47 To enhance a blue sky in a black-and-white image using the Channel Mixer, make red the dominant channel and use relatively small percentages of green and blue.